Nicosia Municipal Theatre
9 November 2019

An immersive musical performance in which all areas of the Nicosia Municipal Theatre become accessible to audience members. The building's indoor spaces become a musical environment; an extensive musical installation in which the audience can move, following the performers as guides. During this interactive musical promenade, the audience discovers fragments of songs and melodies of different cultures, combined in an amalgamation of compositions that form the fabric of the performance.

Music Composition / Artisic Direction: Andreas Papapetrou

Artists: Mariza Anastassiades (vocals), Katerina Andreou (vocals), Julia Petrou (vocals), Elena Hadjiafxendi (vocals), Pavlina Konstantopoulou (vocals), Savvas Christodoulou (flute), Christiana Antonoudiou (clarinet), Evangelos Christodoulou (bassoon), Natassa Hadjiandreou (percussion), Nikos Pittas (violin), Iraklis Mitellas (violin), Tefkros Xydas (viola), Miranda Papaneokleous (cello), Andreas Papapetrou (piano).

Lyrics by: Maria Isavella Achilleos, Pavlos Ballinis, Vassos Lyssarides, Roxani Nicolaou, Anna Papaioannou, Elena Savva-Kinni, Stella Voskaridou-Economou

Thanks: Kate Jarrold, Andreas Kopriva Lernis, George Papageorgiou

Immersive Musical Theatre performance at the BoCCF

Composed and directed by Andreas Papapetrou, the performance assembles a group of ten musicians to breathe new life into the space through sound, movement and sculptural interventions, after years of abandonment.

Boasting the most majestic views of old Nicosia, the terrace on the top floor of the Bank of Cyprus Cultural Foundation comes to life in an immersive musical theatre performance with a boldly experimental mood and elements of interactivity.

Artists:
Elli Aloneftou – voice
Mariza Anastasiades – voice
Katerina Andreou – voice
Pavlina Konstantopoulou – voice
Julia Petrou – voice
Nikos Pittas – violin
Iraklis Mitellas – violin
Nikolas Papageorgiou – viola
Miranda Papaneokleous - violoncello
Andreas Papapetrou – piano
Tonia Papapetrou – installation and set design

“ReInHerit in Performance: The Hadjigeorgakis Kornesios Mansion”, organized within the framework of ReInHerit (Horizon 2020) by CYENS Centre of Excellence, on Saturday October 29th 2022, at the Mansion of Hadjigeorgakis Kornesios in Nicosia, Cyprus.

The immersive performance combined a music performance by a small group of musicians from the Cyprus Symphony Orchestra, a large-scale interactive sound installation, video art projections, dramatic lighting and a multisensory exhibition in the spaces of a unique monument of cultural heritage.

Performance direction and music composition: Andreas Papapetrou
Project Coordinator and ITICA MRG Leader: Kleanthis Neokleous
Programming: Fotos Frangoudes, Alexios Polydorou, Giorgos Hadjiantonis
Video Art: Stefanos Papadas
Lighting design: Demetris Shammas
Graphic design: Maria Loizou
Linear drawing: Avgi Papapetrou
3D design: Alexis Baldwin
Exhibition technician: Marios Charalambous
Writer and editor: Maria Shehade
Communication Officer: Chrystalla Charalambous-Papadopoulou

Performers: Konstantinos Anastasiades, Christian Bishara, George Georgiou, Hasmik Sargsyan, Ayse Karaoglan, Varvara Merzlova, Kumiko Okutomi, Tefkros Xydas

Thanks to the Cyprus Department of Antiquities for providing the space, and especially to Marina Solomidou-Ieronymidou, Giorgos Georgiou and Evi Fiouri. Thanks to the Saint Barnabas School for the Blind, the Orphanos traditional costume shop and Energie boutique.

Desmōtēs is a music and dance performance inspired by the collections of the Bank of Cyprus Cultural Foundation and Cypriot folklore. During the performance, a video art animation based on geometrical motifs from the BoCCF’s collections is projected on the set and directly on the dancer’s massive dress. This provides a visual interpretation of the musicians’ sounds, combined with pre-recorded material, and serves as an extension of the dancer’s gestural palette.

The performance’s themes draw upon the island’s folklore and on Greek mythology, exploring the idea of confinement as obstacle, punishment, sacrifice and means of redemption. As implied by the title, this includes myths about prisoners such as the sacrifice of Prometheus, the immuration of Antigone and the captivity of Persephone.

Music composition and artistic direction: Andreas Papapetrou
Choreography and dance: Elisabeth Schilling
Set and costume design: Rea Olympiou
Video Art: Christos Symeonides
Musicians:
Pavlina Constantopoulou (vocals)
Maria Yerosimou (harp)
Maria Kramvi (percussion)
Andreas Papapetrou (electronics)

Performed on Thursday, 07 September 2017
at the Bank of Cyprus Cultural Foundation

Celebrating the European Museum Night, the Bank of Cyprus Cultural Foundation invited the public to "The Sounding Museum", an immersive musical theatre performance. Contemplating the art and history of Cyprus, visitors set out on a sonic tour of the Foundation's exhibits and premises, created and curated by young Cypriot composer Andreas Papapetrou and performed by a group of ten classical musicians.

Weaving sounds using various instruments, the musicians walked alongside visitors, creating a constantly shifting 45-minute musical promenade that included a tour of the Foundation's museums and collections and the “Rooms to Contemplate” exhibition of contemporary Cypriot art.

Performers: Elli Aloneftou - Soprano /  Stella Christou - Soprano / Demetris Yiasemides - Flute / Christina Antonoudiou - Clarinet / Evangelos Christodoulou - Bassoon / Maria Kramvi - Percussion / Viki Hadjiandreou - Violin / Tefkros Xydas - Viola / Alexia Yiangou - Cello / Sophia Price - Double Bass

Performances on Friday, 19 May 2017, 20:30 & 21:30
Bank of Cyprus Cultural Foundation

How are we influenced by the fabrics, materials and shapes that surround us? How do they touch us? How do we feel them?

A moving sculpture, a river of fabric, an abstract landscape or an amorphous creature: between installation and performance, between the inanimate and the animate, between geometry and phantasm, the interdisciplinary production FELT renders homage to the sense of touch. Skin and cloth, constantly transformed by bone and muscle, become themselves a texture of movement, creating spaces for the imagination.

After its premiere in Luxembourg, the piece will embark on an international tour. Further information and dates at elisabethschilling.com.

Team:

Design: Mélanie Planchard
Construction / Development: Mélanie Planchard / Eric Schumacher
Curator: Simone Stewart
Dramaturgy: Moritz Gansen
Musical composition: Andréas Papapetrou
Research support: Dr. Nele Lipp
Consultancy: Tim Nunn / Aurel Thurn Videography: Anntii Pirskanen Photography: Martine Pinnel Graphicdesign: Annick Kieffer / Studio Polenta Production: Making Dances a.s.b.l.
Production assistence: Johanna Schmitt

Supported by:

Cercle Cité Luxembourg, Goethe Institute Glasgow, Silvio und Waltraut dell’ Antonio Stiftung Wittlich, Ministerium für Wissenschaft, Weiterbildung und Kultur Rheinland-Pfalz, Kulturstiftung RLP, TROIS C-L, Ministère de la Culture Luxembourg, Fondation Indépendance Luxembourg

Residency partners:

City Moves Dance Agency Aberdeen, Dance City Newcastle, Dance4 Nottingham, TripSpace London, Studio Wayne McGregor through FreeSpace programme, Zsenne Art Lab Brussels, Arbeitsplatz Vienna, Hariko Luxembourg, WU Arts Space Gothenbourg, Koli Residency

Mediapartner: Radio ARA

Special thanks:

Simone Röhr, Sally Marie, MMK Rechtsanwälte, Rathauspraxis Manderscheid

Spindle - for harpist and assisting performers

Vibe Gallery, Bermondsey, London. 14th June 2013.

Performed by Maria-Christina Papadopoulou.

To perform this piece, the harpist needs the help of at least one assisting performer, who will guide the audience into wrapping both harpist and harp with yarn in the second half of the piece, creating a maypole-like effect, wrapping the harpist in a cocoon. The harpist stops playing when fully wrapped in yarn and the piece ends when the harpist is cut free by the assisting performers.

Nephéles

for orchestra

Trinity Laban Symphony Orchestra, conducted by Howard Williams.

Blackheath Halls, Blackheath, London. 31st October 2013

Nephéles is an experimental piece, in which every single member of the orchestra, including the conductor, is expected to walk in the concert hall and surround the audience while looping a musical phrase. The sound they produce fades out as all members of the orchestra gradually pass through the unseen "wall" separating them and the audience. The piece is meant to encourage both audience members and performers to think outside the box, to consider why the theatrical fourth wall exists to separate audience and performers and what it serves, and to question the culturally acquired modes of social behaviour expected from us when creating or attending events such as a classical music concert.

Sound recording: Oli Haylett

Lighting: Malcom Richards

Filming & editing: Carmen Zografou

The Garden of Listening
For ensemble
Institute of Contemporary Arts, London, 6th February 2015

The Garden of Listening is a musical environment that works as an installation of fixed short duration with live performers. Set up as an exhibition of sounds and the performers creating them, it invites the audience to move through the space, choosing which of these "exhibits" to observe and for how long. Moving through the Garden this way — much like a bee travelling from flower to flower — each audience member follows a different path and receives a personalised experience of the performance.

Trinity Laban Contemporary Music Group

Gregory Rose, conductor
Susie Walsh, Nicholas Sabisky, Flute
Sophie Shenton, Oboe
Kirstin Bulger, Clarinet
Hannah Peters, Sabina Raisin-Fielder, Saxophone
Andy Pitt, Trumpet
Alex Williams, Trombone
Becky Brass, Daniel Robinson, Percussion
Ashley Blasse, Guitar
Francesca Gao, Harp
Vasileios Filippou, Piano
Julia Hart, Justine Bui, Violin
Kristin Chai, Viola
Natalie Hancock, Cello
Steve Street, Double Bass

filming by Carmen Zografou

Maria Christina - Harp
Thodoris Ziarkas - Double Bass

Composed by Andreas Papapetrou
Filming by Carmen Zografou

Colourscape Festival 2016, Clapham Common, London. 17 September 2016.

The performers are wrapped in cocoons by the audience members who are given pieces of yarn. When fully wrapped in yarn, the performers stop playing and are cut free, thus ending the piece.

Performed by the Prometheas String Quartet

Nikos Pittas (violin)
Iraklis Mitellas (violin)
Nikolas Papageorgiou (viola)
Miranda Papaneocleous (cello)

“Fos tou Kosmou” is an excerpt of a larger composition based on Stella Voskaridou’s poem FoV (ΦόΒ)

In the Spotlight
for open ensemble. 

Performance at the Institute of Contemporary Arts, London on 17th January 2013. 

This piece was specifically made to be performed in a gallery setting filled with exhibits or any diverse points of interest (instead of just a relatively large empty room). Apart from having no spatial division between audience and performers and allowing them to move around freely, when interaction between them occurs, the point of the piece was to direct the audience's attention to certain places or elements of the space and then to themselves as presences in this space.

Performers:
Claire-Louise Auguste
Niamh Beddy
Timothy Cape
Tim Chen
Stephanie Cheung
Manuella Colella
Julia Hart
Giorgi Janiashvili
Christy Kam
Nick Morrish
Dasol Lee
Soosan Lolavar
Andreas Papapetrou
Caitlin Rowley
Alvaro Siculiana

Chiaroscuro
for ensemble (incl. dancers) 
Performance at Dreamspace Gallery, London, 17th February 2012. 

The name of this piece, "Chiaroscuro", is borrowed from the visual arts: it is an Italian term, which literally translates as light-dark, and it is a technique used in painting or photography to suggest volume, depth and modeling by accentuating tonal contrasts.

This piece was performed in a completely darkened empty room (at Dreamspace Gallery), using 8 musicians and 3 dancers, who were given instructions for improvisation that involved movement, modes of behaviour and the creation of sounds. Any performance activity, including sound, occurred only when in the spotlight.

Some audience members were randomly given torches, which they were expected to light up when the lights would go off, casting light in the direction and object or person of their choice.

Performers:
Almudena Gonzalez - Flute
Wai Yee Lee - Bassoon
Andrew Gorman - Violin
Tefkros Xydas - Viola
Signe Lykke - Voice
Sapfo Pantzaki - Voice
Alexis Porfiriadis - Melodica
Andreas Papapetrou - Accordion
Artémise Ploegaerts - Dance
Elisabeth Schilling - Dance
Virginia Scudeletti - Dance

Filming by Annabella Maneljuk

Andreas Papapetrou

Mythistórema Kd
for string quartet and electronics

Based on a poem by George Seferis

performed by the DissonArt Ensemble

Theodoros Patsalidis, Violin I
Andreas Papanikolaou, Violin II
Alexandra Voltsi, Viola
Vassilis Saitis, Violoncello

Vafopouleio Spiritual Centre, Thessaloniki, Greece. 28th May 2009.

http://dissonart.gr/

Skeleton Wing II for amplified Viola and Electronics, composed by Andreas Papapetrou.

Performed by Raisa Yordanova Zapryanova

18 November 2010, Chelsea Theatre, London.

The performer is asked to be both violent and lyrical, sometimes ‘destroying’ the sounds produced through intense bow pressure, sometimes playing extremely delicately. Thus, the viola becomes a fragile vessel, containing the processed echoes of its past.

Do Knot Undo
for piano & live electronics

Trinity Laban Conservatoire of Music and Dance, London on 27th February 2013.

Performed by Kristin Sofroniou & Andreas Papapetrou
Software programming by Matt Watt
Filming by Carmen Zografou.

Piano and live electronics piece for two or more performers. The performers take turns playing short improvisations on the same piano, based on the score. These are then reproduced and processed by a MaxMSP patch (programmed by Matt Watt for this piece) adding filters and an extremely long delay effect (using irregular timings), stacking up to 10 different layers of samples until a cloud of repeated sounds builds up. When the performers are not playing on the piano they take a piece of yarn, tie one end on the piano and the other end somewhere in the room (including tying it on audience members). This is constantly repeated in order to create a giant web around the instrument, literally entwining performance space, performers and audience members throughout the the event.

Schilling / Papapetrou - Unbeschriebenes Blatt
for string quartet and dance.

Composer: Andreas Papapetrou
Choreographer Elisabeth Schilling
Music performed by Akiko Ishikawa (violin), Angie Casdas (violin), Raisa Zapryanova (viola), and Kristína Chalmovská (violoncello).
Dance performed by Nigel Beard, Fabian Brandt, Masako Matsushita, Marcella Piscitelli, Artémise Ploegaerts and Melina Tolle.
Dramaturge: Moritz Gansen

Video excerpts from Enter, Experience, Exit
Blackheath Halls, London, 16th June 2011

Filmed by: Sedi Ghadiri & Jason Griffiths

The dramaturgical concept of the piece is based on the idea of the Marathon race, and was inspired by the extreme bodily states a Marathon runner experiences while being observed by an audience.

Music and lyrics by Pavlina Konstantopoulou

Trio Rondine performance at 8th Cyprus Jazz and World Music Showcase, Rialto Theatre, Limassol 27 November 2021

Trio Rondine are
Pavlina Konstantopoulou: Guitar / Voice
Andreas Papapetrou: Accordion / Piano / Voice
Maria Zannetou: Mandolin

Recorded live at Kafenio Valitsa
Nicosia, 3 July 2020

Pavlina Konstantopoulou, vocals & guitar
Andreas Papapetrou, accordion
Nicholas Christophides, harmonica

Lyrics: Alekos Sakelarios / Music: Manos Hadjidakis

Ophelia by the Grendel Babies

25 March 2017
Antonakis Music Hall, Nicosia

Music and lyrics: Marilena Zackheos / Keys and vocals: Marilena Zackheos / Cello: Alexia Yiangou / Drums: Ioulios Georgakopoulos / Bass: Mike Zachariades / Accordion: Andreas Papapetrou / Tzouras: Charitini Kyriakou / Vocals: Julia Petrou Michaelides / Vocals: Eleni Skarpari

Lyrics: Traditional (Sicily)
Music: Benito Merlino

Trio Rondine performance at 8th Cyprus Jazz and World Music Showcase, Rialto Theatre, Limassol 27 November 2021

Trio Rondine are
Pavlina Konstantopoulou: Guitar / Voice
Andreas Papapetrou: Accordion / Piano / Voice
Maria Zannetou: Mandolin

Recorded live at Prozak Kafeneio
Nicosia 7 March 2020

Pavlina Konstantopoulou, vocals & guitar
Andreas Papapetrou, piano

Lyrics / Music: Loukianos Kilaidonis

Wizard by Echo Wants Her Voice Back
Taken from Debut EP - Heart of Stone

Written by Eleni Skarpari
Performed live on the 6th of May, 2017 at Library, St Martin's Lane, London with Eleni Skarpari (vocals), Andreas Papapetrou (accordion), Reuben Ard (double bass) and Danilo Rodrigues (percussion). Sound engineered by Michele Panegrossi. Filmed by Steve Bealing.

Aria for voice(s) + Words of Nothing for piano player(s), composed by Alexis Porfiriadis.

Performers:

Sapfo Pantzaki - Voice

Andreas Papapetrou - Piano.

18th May 2012, Theatre Studio, Trinity College of Music, London.

Tape piece for a large room

Composed by Bobby Barry.

Performed by Emily Mary Barnett, Vassilis Chatzimakris, Andreas Papapetrou, and Iñes Zinho Pinheiro at the Old Finsbury Town Hall, Clerkenwell on 2nd April 2016 for Zero Wave's Sound & Movement event

Wa Habibi (My Beloved)
Lament for Good Friday

Lyrics: Traditional (Lebanon)
Music: Giovanni Battista Pergolesi

Trio Rondine performance at 8th Cyprus Jazz and World Music Showcase, Rialto Theatre, Limassol 27 November 2021

Trio Rondine are
Pavlina Konstantopoulou: Guitar / Voice
Andreas Papapetrou: Accordion / Piano / Voice
Maria Zannetou: Mandolin

Prinz Achmed Orchestra performing the music score composed by Andrew Gorman and Theo Vidgen, for Lotte Reinegger's animation film The Adventures of Prince Achmed.

Fred Feeney - Trumpet, Daniel Gouly - Clarinet, Matt Gordon - Guitar, Andrew Gorman - Violin, Calie Hough - Percussion, Tim Maryon - Percussion, Andreas Papapetrou - Accordion, Louis Thomas - Double Bass, Theo Vidgen - Keyboard.

Hackney Attic, London, 10th March 2012.

Surrogate Cities (Part 3 of 7) - Die Faust im Wappen

Surrogate Cities by German composer Heiner Goebbels, recorded live at London's Royal Festival Hall on 3 March 2012.

Jonathan Stockhammer (conductor)
David Moss (voice) 
Jocelyn B. Smith (mezzo-soprano) 
Andreas Papapetrou (sampler)
Amanda Lake (violin)
Tom Xerri (harp)
Matthieu Esnult (piano) 
Trinity Laban Symphony Orchestra
London Philharmonic Orchestra's Foyle Future Firsts National Youth Orchestra of Great Britain

Music by Nino Rota
Lyrics by Lina Wertmüller

Trio Rondine performance at 8th Cyprus Jazz and World Music Showcase, Rialto Theatre, Limassol 27 November 2021

Trio Rondine are
Pavlina Konstantopoulou: Guitar / Voice
Andreas Papapetrou: Accordion / Piano / Voice
Maria Zannetou: Mandolin

We are on the same page (2016) by composer Vassilis Chatzimakris.

Music theatre piece performed by the In(s)core Ensemble: Katerina Barabouti, Vassilis Chatzimakris, Irene Fountedaki, Pavlina Papadopoulou, Andreas Papapetrou

Old Finsbury Town Hall, London 2 April 2016 Next Wave Concert Series.

The performers use a found page from a book to devise their own parts according to the score's instructions. The piece is originally written for 6daEXIt ensemble.

Surrogate Cities by German composer Heiner Goebbels, recorded live at London's Royal Festival Hall on 3 March 2012.

Jonathan Stockhammer (conductor)
David Moss (voice) 
Jocelyn B. Smith (mezzo-soprano) 
Andreas Papapetrou (sampler)
Amanda Lake (violin)
Tom Xerri (harp)
Matthieu Esnult (piano) 
Trinity Laban Symphony Orchestra
London Philharmonic Orchestra's Foyle Future Firsts National Youth Orchestra of Great Britain

Recorded live at Latsia Municipal Theatre
Nicosia, 3 November 2021

Pavlina Konstantopoulou, vocals & guitar
Andreas Papapetrou, piano
Nicolas Tryphonos, double bass

Lyrics: Yiangos Aravantinos / Music: Manos Hadjidakis

Blue Drag performed by BSK at the Hackney Cut, London, September 2012.

Liz Excell - Drums, Daniel Gouly - Clarinet, Andrew Gorman - Violin, Tim Karp - Guitar, Stephan Melovski - Guitar, Andreas Papapetrou - Accordion, Will Scott - Clarinet, Louis Thomas - Double Bass.

Buyout (trailer) for short film by Carmen Zografou.

Buyout - A short film by Carmen Zografou (2012), shot in Athens, Greece in August 2011.

Plot:
Melina lives in Athens. Peggy, her daughter, lives in Berlin. Peggy is returning with a plan that will bring family relationships and values at stake. Her decision to sell their house to her German boyfriend's company is upsetting the family. A house is seen not as a set of walls but as a live land that moments and memories are planted.

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Cast: Melina Vamvaka, Stelios Goutis, Sofia Koroni, Emi Panouria, Fanis Sakellariou, Dimitris Anastasopoulos

Director: Carmen Zografou

Director of Photography: Thodoris Michopoulos

Composer: Andreas Papapetrou

Screenplay: Carmen Zografou

Production Manager: Iro Adrakta

Assistant Director: Maria Repousi

Assistant Cinematographer: Sunshine and the Lion

Sound Recordists: Thodoris Babouris, Thodoris Seretis

Make-up & Hair Design: Christina Skarmoutsou, Aliki Georgopoulou

Art direction: Anastasia Dekavala, Mimika Kapoula

Executive Producer: Irini Moustaki

Editor: Carmen Zografou

Producer: Carmen Zografou

Co-Producer: Vasilis Chrysanthopoulos

Produced by Carmen Zografou in co-production with Plays2place Productions | Kingston University London

Premiered at The Asylum, London, 29 January 2017. 

Exercise: Les Noces pushes the limits of performance by interweaving music, dance and visual art. The work translates Bronislava Nijinska’s iconic ballet Les Noces to an installation of ‘ready-made choreographies’: replicated and re-performed artworks, design objects and video clips.

Throughout the four-hour live-installation, the audience is invited to watch and listen, move around, come and go as they please or even attend a self-defence class. Exercise: Les Noces expands the conventional verges of dance performance, introducing a durational installation that challenges the frames of both theatre and gallery.

Concept & choreography: Elena Koukoli
Performers: Irene Fiordilino, Hattie Harding, Eve Hopkinson, Lewis Sharp, Robert Suchy, Jay Yule, Nicole Lomas (Tai Chi instructor)
Dramaturgy: Martin Hargreaves
Sound design: Andreas Papapetrou
Set design: Simos Veis
Costumes: Pagona Koukoli
Camera: Aris Akritidis

Treasure Tastes Good - short film for Children's Creative Workshop by Sapfo Pantzaki.

Participants:  Shugo, Marcello, Rex, Rosie, Leva, Camilla, Sophie, Zeki.

Concept & Production: Sapfo Pantzaki & Alex Robertson / Filming & editing: Carmen Zografou / Music & Animation: Andreas Papapetrou

This workshop was a playful experiment on children's creativity. Everything that happened during the project, from inventing the story to the choices of roles, drawing the sets and recording the sounds in it , was done by the children, whose creative choices set the frame for the workshop.

for dancers and walking choir

Choreography: Elena Koukoli
Music Composition: Andreas Papapetrou.

Performance at the Old Finsbury Town Hall, 2 April 2016

Performers: Patricia Auchterlonie, Katerina Barabouti, Rebecca Callow, Vassilis Chatzimakris, Sandra Elphinston, Becky Leslie, Caroline Mawer, Rena Minegishi, Maria Nikitidou, Zina Abdul Nour, Becky O'Brien, Pavlina Papadopoulou, Andreas Papapetrou, Hannah Parsons & Robert Suchy.

Évrehe Hthes (It was raining yesterday), by Haritini Kyriakou

Sung by Efthymia Alphas.

Haritini's album is available for free download in her homepage: xaritini.com

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Music: Haritini Kyriakou / Lyrics: Eleni Xenou / Vocals: Efthymia Alphas / Backing vocals: Elena Papaleontiou / Guitars & percussion: Haritini Kyriakou / Accordion, synthesizers & arrangement: Andreas Papapetrou / Recording & Mixing; Haritini Kyriakou / Mastering: Alexandros Makris

Tis kideias to vals (Funeral waltz)

Music & lyrics: Haritini Kyriakou

Vocals: Efthymia Alphas, Christos Kyriakides, Maria Panosian, Marilena Zackheos, Haritini Kyriakou / Piano & goblet drum: Maria Panosian / Tzouras, udu & glockenspiel: Haritini Kyriakou / Accordion: Andreas Papapetrou / Recording & Mastering: Alexandros Makris

ON_Body, by Fibre Performing Arts Company.

Choreography by Stavri Kalopetridou / Music composition by Andreas Papapetrou / Artistic direction: Stavri Kalopetridou / Dramaturgy: Mety Panagiotopoulou / Performers: Stavri Kalopetridou, Mety Panagiotopoulou, Zafirenia Brokalaki, Polina Stamboli / Scenography and costume design: Rea Olympiou / Artistic management: Zafirenia Brokalaki / Production: Fibre Performing Arts Company

Presented at: 2nd No_Body festival, Dance Gate - Dance House Cyprus, 20-21 November 2010.

I eat me, by Fibre Performing Arts Company.

Choreography & Dance by Stavri Kalopetridou & Polina Stamboli.

Music by Andreas Papapetrou e.a.

Randevou me to soma (Rendez-vous with the body) festival, Vryssaki, Athens, 22-23rd October 2011.

"Hunger. It feeds the signals running through my brain and creates the need in my body to search for food. My thoughts are hungry. My thoughts are hungry for thought. A journey in the mind, in the subconscious, into our inner maze, so we can examine our acts and understand ourselves - a futile struggle in the mind to analyse emotion."

(After Marie de France’s lai “Bisclavret”) Music and lyrics: Marilena Zackheos; home-recording of Johan Halvorsen’s “Passacaglia” performed by Jennifer Cho and Jessica Vollrath Fauteux

Keys and vocals by Marilena Zackheos
Cello by Jessica Vollrath Fauteux
Drums by Kris Combs
Bass by Mike Zachariades
Accordion by Andreas Papapetrou
Tzouras by Charitini Kyriakou

Album "Oh My" © 2017 Grendel Babies

Strings arranged by Jennifer Cho and Jessica Vollrath Fauteux
Drums and Piano Recorded at Cue Recording
Cello recorded at Blue Room Productions
Accordion recorded by Andreas Papapetrou
Vocals, Bass, and Tzouras recorded at Network Project Studio
Mixed at A.V. Playroom
Mastered at Blue Room Productions

Moving Silence at the ARTos Foundation
Nicosia, Cyprus
7 December 2017

Moving Silence 2017 - Maria Yerosimou & Andreas Papapetrou

Film: Wojtek Skowron
Music: Andreas Papapetrou
Harp: Maria Yerosimou

'Moving Silence' is Berlin-based Platform for contemporary silent film.

by Vasiliki Antonopoulou:

XPAT is comprised of four sections. These feature four buildings which are, or have been, past homes. Shot between Greece and Saudi Arabia, the houses become metaphors that represent previous lovers. Architecture becomes body, and body becomes architecture. The use of architecture as a metaphor for love and loss is used to question the nature of hetero-normative existences through the presentation and questioning of symmetry. Seminal design objects are used as analogies questioning socially constructed future expectations and the place of the queer body within them.

Through the use of text and moving image, XPAT is a visual poem through familiarity and displacement between love and loss. The viewers engage in a slow and immersive process of reading and image viewing that takes them on a narrative of nostalgia, and fantasy. Acting like a visual poem, an intimate environment is created to talk about love and place, travelling between past, present and future.

Sound composition:

Andreas Papapetrou

Song Excerpts:

Tzeni Vanou - Se Vlepo Sto Potiri Mou

Pet Shop Boys - This Must Be The Place I Waited Years to Leave

Film Excerpts:

Space ship scene taken from

'Liquid Sky' (1982), directed by Slava Tsukerman